SOCIAL MEDIA PROMOTION OF CULTURAL HERITAGE DESTINATIONS: THE CASE OF KHIVA
DOI:
https://doi.org/10.5281/zenodo.23911278Annotatsiya
Social media is an essential tool for recommending tourism destinations, as while traveling they can upload images, videos and experience. This is particularly true for cultural heritage sites especially those with their architecture, historical buildings and traditional practices. An exploration of Instagram Reels Representations of Khiva, Uzbekistan as a heritage place. The technique employs a mix of techniques for cosmetic assessment, involving qualitative reading of visuals and quantitative classification. In total, seven publically available Reels were chosen which are classified into three categories as historical monuments and architecture (n = 4; 57.1%), traditional culture and crafts (n = 2; 28.6%) and personal travel experience (n = 1; 14.3%). Engagement level varied. A traditional dance was about one of. A Reel of a traditional dance had about 54,700 likes, and one showing the Kalta Minor Minaret with birds overhead had about 42,600. Both historical architecture and cultural performance can attract attention online, although a sample this small cannot be generalised. The study gives a first look at how Reels show Khiva’s history and culture and points to what further research should do.Kalit soʻzlar
social media (Instagram Reels), cultural heritage, tourism promotion, Khiva, Uzbekistan, digital marketing, destination imageFoydalanilgan adabiyotlar roʻyxati
1. UNESCO World Heritage Centre, “Itchan Kala,”, https://whc.unesco.org/en/list/543. The site is listed on the World Heritage List as “Itchan Kala” (also spelled Ichan Qala), which refers to the walled inner town of Khiva.
2. The Kalta Minor is an unfinished minaret in Itchan Kala and one of Khiva’s best-known landmarks.
3. Shokhrukh Shakhriyorov, “The Potential of Khiva in Ziyarah Tourism of Uzbekistan,” Eurasian Journal of Social Sciences, Philosophy and Culture 4, no. 6, pt. 2 (2024): 38–46, https://doi.org/10.5281/zenodo.12578605.
4. M. Todorova-Ekmekci, “Presenting and Promoting Cultural Heritage with Digital Media, Marketing Approaches and Methods,” Cultural and Historical Heritage: Preservation, Presentation, Digitalization 7, no. 2 (2021): 259–66, https://doi.org/10.26615/issn.2367-8038.2021_2_023.
5. D. Aiello, S. Fai, and C. Santagati, “Virtual Museums as a Means for Promotion and Enhancement of Cultural Heritage,” International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLII-2/W15 (2019): 33–40, https://doi.org/10.5194/isprs-archives-XLII-2-W15-33-2019.
6. Likes and comments change over time, so the figures reported in this study reflect only what was visible when the Reels were recorded.
7. Sotiriadis, “Sharing Tourism Experiences in Social Media.”
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Copyright (c) 2026 Gulsevar Sanʼatovna Rajabboyeva

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